Try another (way of) reading
xenophobia, watching, vision, vervreemdung, time, theory of the text, the unconscious, the uncanny, the semiotic chora, the real, the other, the mother, the double, the book, text of the infinite, text, tagged experience, speaking body, sounds, soul, social web, social narcissism, social game, showing, self, sacrifice, rhythm, representation, reading, reader-response theory, psychoanalysis, polyphony, platos chora, plastic spaces, picasso, phenomenology, perception, passion, oedipe, networked experience, narrative, naivism, naivety, music, misrecognition, memory, materiality, mapping, love, language, lacan, kristeva, knowledge, karma, jouissance, intertextuality, intertextual memory, interface, intangible heritage, information, infinite text, illusion, idealism, hypertext, healing, gertrude stein, gaze, freud, freedom, foucault, foreign body, fire, fantasm, fall, ethics, eroticism, ecstasies, documentation, displacement, desire, death of the reader, death of the author, death, cultural diversity, continuous present, composition, communication theory, commodity, chora, body, birthing, barthes, art, alchemy, afspaltung, abjection-
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On Composition - a reading *cog*
Composition as a mapping [of the real].
Available downloads
PDF
epub to your mobile or iPad
mobi to your Kindle
The text is my territory. Though not only words, letters, syllables written or spoken, but the text in a broad sense: the cultural text that constitutes us, and thus the myths we live; the text of our circular memory, the infinite intertext of our being in the world; the text of the universe, the always already, the text(ure) of being, the rhythm that is intrinsic to a text’s composition; and - we have heard it before, but it needs saying again - in a digital world everything from design to downloading is literally text. Consequently, the web comes natural as the medium for writing creating composing.
There is a logic here but a logic without logical connectives - the ones you need to write in a linear fashion but which you here have to unlearn - whose complexity goes beyond my control. Still, digital technology enables me to follow the creative process from its conception through every stage to the text’s final editing - which never seems to be final. And, in the process I have to unlearn to rely on the word. There is more. Image music text technology. The interface where I tip in to the Other. Which is why I write create compose for the web.
Recurrent themes in my work are language, desire and love by means of which we create our subjectivity. Themes that continue my scholarly work in reader-response theory. In producing for the web I combine my intellectual work with the visual, the imaginative and the performative - it’s all a kind of an essay.
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Sculptures - new work
Sculptures includes 3 digital sculptures, Genocide Memorial Wall, Leonardo and Zen of Being. They were made primarily with online tools. [View]
the interface as excess
A short piece of writing on the polysemy of the prefix hyper and the interface as excess. [»»]
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About [net]textualities
[net]textualities is our common name for all the different kinds of digital writing that exist today. Letters are no longer carved in stone, the Word died with post-structuralism. Instead we have texts that flow between expressions, media, software and platforms, 'the play of the signifier' in action.
Themes explored include: vision, time, the real, text of the infinite, rhythm, psychoanalysis, polyphony, platos chora, plastic spaces, phenomenology, passion, music, memory, love, language, lacan, ecstasies, desire, continuous present, composition, chora, body, birthing, alchemy, abjection
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Blogged
[»»]- Silent Repose
- Grecian Urn - a eulogy
- Uncanny Doll in the Fun House
- Love Is
- Remakes of les Demoiselles