Memes are echoes. Meme culture is an echo chamber.
LOST in the wilderness of digital culture, not in the funhouse of (post)modernism. Have to go back to the importance of the reader’s need for a framework, a finite space on which they can lay hold.
In the light of the newly published experiment for a networked book at http://networkedbook.org, a few thoughts about the word “networked” and a possible (re)definition of networked in a networked culture.
The idea of a networked book on networked art “proposes,” the editors Jo-Anne Green and Helen Thorington say, “that a history or critique of interactive and/or participatory art must itself be interactive and/or participatory; that the technologies used to create a work suggest new forms a “book” might take.” The new technology is a WordPress blog that collects a select number of articles. So, we have a number of Word[Press] documents/posts collected into a networked book/blog. It may be a new technology, skinned, themed and customized, but in what way does it differ from a print edition of those Word documents? And, in what way is it networked?
I recently bumped into the word ‘prosumer,’ a neologism for the internet user who is (supposedly) both a producer and a consumer. The prosumer is at once a consumer of internet content - for instance, in consuming videos at YouTube - and a producer of content - for instance, by uploading content to YouTube. Prosumers are no longer passive recipients of information but users who interact with data and social media. Still, they are users who produce user-generated content. Produsers, maybe, but still users.
Releasing the essay Speaking From the Other
Speaking From the Other is an essay that is now available on Apple Books and other stores.Read an excerpt for free here!
About the site
freewheelin.nu is a site where e-lit, installations, digital art, blogs and other texts are linked in a hyperdimensional space of underpasses, highways, rivers, bridges, tunnels that intersect in the art project Plastic Spaces whenever possible.
And there is more. Image music text and technology intertwined in digital art and textual [dis]pleasures - in the erratic vibrancy, evanescence and intangibility of the text/work - that interfaces with the erotic body [electrified].